The Locket and the Flintlock - Rebecca S. Buck

The Locket and the Flintlock

By Rebecca S. Buck

  • Release Date: 2012-05-01
  • Genre: Gay
Our rating: 5/5 stars

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Will the masked outlaw who stole Lucia’s locket also claim her heart?
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When Miss Lucia Foxe is robbed by a band of shadowy highwaymen, she does not realize this frightening event will change her life forever. Her brave quest to retrieve her stolen locket brings her into close contact with the thieves and their dashing and fearless masked leader, Len Hawkins. But there is more to Len than meets the eye. Beneath the robber’s mask lies a woman who, in her heart, is not really so very different from Lucia.
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As their unlikely love grows against the backdrop of the poverty and violent protest of Regency England, Lucia learns how much more there is to the world than her upbringing has taught her. Len flirts with death every day, and eventually, an attempt at exacting revenge on her cruel father threatens to snatch her from Lucia’s arms.
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Will Len survive her encounter with death and avoid the retribution of the agents of justice? And can respectable gentlewoman Lucia love Len enough to sacrifice everything she knows?

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More Reviews

  • Intriguing but flawed

    3
    By HRJones
    The Locket and the Flintlock has a solid historic romance concept: the carriage bearing Lucia Foxe, her father, and her sister is accosted on the road by a gang of highwaymen and they are robbed of their valuables, including the locket that Lucia’s dead mother left to her and which she loudly protests the loss of. (This is, by the way, lesbian highwaywoman romance standard plot point A.) Alternating points of view between Lucia and the leader of the highwaymen, Len Hawkins, leave us in no doubt of the gender of the latter and that she will be the love interest. A reference to the poetry of Byron and to Lucia’s brother being off in the Peninsular Wars appear to narrow the setting down solidly to ca. 1812-14 or so. The Foxes are members of the rural gentry and Lucia is starting to age out of expectations for an advantageous marriage. The set-up is perfect for her to be swept off her feet by a dashing highwaywoman with a heart of gold whose philanthropic interests extend to supporting the anti-industrial actions of the Luddites. Unfortunately the core of the story is obscured by the prose style, including overly detailed descriptions of the setting, and the characters repetitiously examining their every emotion, regret, second thought, and aspiration. Beyond that, the writing is solidly workmanlike, other than a tendency for the characters to explain their actions to the reader rather than to experience them. There are serious plausibility issues with the plot and setting. All the major characters are given to impulsive actions that should long since have proven fatal (especially to highwaymen). Two examples will suffice. Scant days after robbing the Foxes’ carriage, the highwaymen just happen to ride past Foxe Hall at a close enough distance that Lucia is able to recognize their faces (at night, in the dark) from her bedroom window. And having done so, Lucia sneaks out of the manor in the middle of the night, evidently in her nightgown (though with a cloak), and rides her horse bareback after the highwaymen to demand the return of her locket. Plot holes and world-building holes abound, with the geography of the neighborhood being conveniently elastic depending on whether locations need to be nearby or completely unfamiliar. The author has done her research on many aspects of the historic setting (in particular the Luddite movement) but the presentation of the economics and logistics of early 19th century rural English society left me scratching my head. (There is a startling lack of servants at crucial points, and somehow the household and stable chores of maintaining a robbers’ hideaway don’t involve anyone actually doing domestic labor.) That said, if you're forgiving regarding plausibility in your historic setting, and you’re willing to overlook the protagonists' suicidal impulsivity in exchange for lots of angsty self-examination and a few hot sex scenes, there’s no reason why you shouldn’t enjoy this book.

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